Wednesday, 16 May 2012

The jury of the "red dot award: communication design 2012", part 3

During the latecomers' phase designers, agencies or design offices still have the chance to register by 25 May 2012 and hand in their works for the renowned “red dot award: communication design”, to face up to an independent, international jury of experts. At this site, the jury panel of this year’s competition – which will discuss and evaluate the submitted design achievements with their knowledge – will be introduced gradually. More »

Wednesday, 16 May 2012

red dot award: design concept winner’s interview series

Young and aspiring designer Park Jeil won the red dot: best of the best for his concept “Flowall”. The “Flowall” is a lighting system that aims to forge connections with the user in physical and phenomenological terms. We met the designer himself to find out more about his progress on working towards commercialising the product. He also shed some light about being a designer in Korea. More »

Tuesday, 15 May 2012

“Online Communication”: Eclectic and surprising.

The relaunch of the weekly architectural magazine Bauwelt’s website strikingly interlinks the print version with the online world. The editorial team presents its knowledge online on a wide space using new formats: On Tuesdays, for example, online videos, photo galleries, dossiers and debates regarding the content in Friday’s print edition are put online. More »

Monday, 14 May 2012

caravaning design award: innovations for new mobility 2012/2013: The public gets to vote!

The exhibitors of the 51st CARAVAN SALON DÜSSELDORF are invited to face international comparison with their current products. The “caravaning design award: innovations for new mobility 2012/2013” honours the best designs of the motorhome and caravaning industry. For the first time, the public also gets to vote this year. More »

Monday, 14 May 2012

"Corporate Films": Close to the customer

The music and entertainment channel VIVA has repositioned itself as a gender-neutral entertainment brand for both younger and older target audiences. Instead of generating artificial worlds, the concept of the “Corporate Film” is oriented to presenting real-life environments. More »